Category: THE WRITERS OFFICES


 

Her Again: Becoming Meryl Streep

by Michael Schulman (Author)

 

Print Length: 304 pages

Publisher: Harper Collins (April 26 2016)

 

“Her again “is exactly what I have said when watching the Academy Awards and Meryl Streep is nominated.  Michael Schulman crafts a fast paced look at Meryl Streep –from her childhood to the role that launched her in KRAMER VS KRAMER (1979).

What I found the most entertaining were the people that Streep came in contact with; particularly from her days in theatre.  John Lithgow, Dustin Hoffman (she auditioned for a play he was directing), Al Pacino, and Sigourney Weaver from her Yale acting days.  Schulman weaves a real world of personalities filled with little bits of up and down, with backstage stories to round things out. Streep reads a great deal of books on various subjects, and memorizes whole Shakespearian plays.

Meryl Streep moved in the world with fairy tale quality based on her looks and her ability to present character on stage and later in film.  The story seems to have that Hollywood quality to it. For example, Meryl could arrive an hour late for an important Broadway audition and get the role instantly. Schulman is a Meryl Streep booster and fan which is evident in the tone and depth of the story.

The best parts delved into Steep’s  relationship with unconventional actor John Cazale, who many will know played the machine  gun carrying fellow trying to get the  sex change operation financed by Al Pacino’s character in DOG DAY AFTERNOON (1975).   Those moments become an unconventional love story as the quirky looking Cazale (who apparently did everything at his own pace no matter what) and the blonde, Nordic looking blue eyed, high cheek boned Streep.  The book follows Cazale’s cancer diagnoses and Streep spending months nursing him till he passed away.   Al Pacino said years later as reported by the author that, “No matter what she wins… This will always be his memory of her and how she stood up for John.”

The book ends with a detailed narrative the making of KRAMER VS KRAMER (1979) and a look at the talent of Dustin Hoffman – whom were learn has a very abrasive style of directing and set manner – he locks   horns with Meryl Streep, who plays the wife in the landmark tale of a divorce and child custody battle. This picture is a child of the late eighties with the rise of feminism, with which Meryl seems to have taken on in her life.

It may not be a complete look into the life of Meryl Streep but it doesn’t claim to be as its subtitle of “Becoming Meryl Streep,” suggests.  Still an entertaining look at what some thing is one of greatest female actors of this generation and how she became the Meryl Streep we see on the screen.

 

 

 

 

YOUNG ORSON

The Years of Luck and Genius on the Path to Citizen Kane

By Patrick McGilligan

832 pages with two 16 page photo inserts

Publisher: Harper Collins

This was my second excursion into the world of Orson Welles and was by far the most comprehensive to date.  My previous experience was with Simon Callow’s first volume THE ROAD TO XANADU, a few years back; I found its tone tedious.

Do not let the size of this tome put you off:  author Patrick McGilligan takes you on a wonderfully detailed trip into Welles’ life.  One gets to follow the lives of Welles’ would- be parents before they meet. The social fabric of the time, the early industrialization of America, the schools, all add up to nostalgic sections of Welles’ parents and their lives in Kenosha Falls.

Interesting accounts of young Orson in school as he tries to and succeeds in avoiding physical education and athletics with guile unbecoming a twelve year old.  One gets to see the opportunities as they come into his life such as the Mercury Theatre and early Shakespeare productions that Welles often played in as a lead, knowing the roles almost by heart from an early age.  His love of magic and magicians became a lifelong obsession.

Patrick Gilligan gets us close to Welles’ friends, such as actor Norman Lloyd, Joseph Cotton, and John Houseman, who was instrumental in Orson’s theatre and radio work, culminating in the famous or infamous THE WAR OF THE WORLDS broadcast of 1938.

The reader gets to be a fly on the wall in meetings as the genesis of CITIZEN KANE takes place with co- writer Herman Mankieweiz and Orson, plus others as they give birth in various script versions often fueled by excess and madness of creativity.

One also learns of the other side of genius, as Orson was called at a young age.  The divorce, the estranged children, the money fights, the creative fights, the battles with studios, later years of neglect and perhaps the truth of what Rosebud really meant in the film.   The barriers of belligerence Orson set up in later years to protect himself from people that hid a lonely man who wondered, “People would hire me to talk about film but no one will let me make one.”

YOUNG ORSON: The Years of Luck and Genius on the Path to Citizen Kane is an excellent addition to any film lover’s or biography reader’s bookshelf as it draws from previous and new sources.  It is a glimpse of a Renaissance man at work and at play – warts and all.